Chromatist Paintings

Chromatist Paintings

Click the thumbnails to enlarge the images.

Petunias
Petunias,
2004

 
The Herb Bed V
The Herb Bed V,
2003

 
Autumn Wildflowers Near Centenary VII
Autumn Wildflowers
Near Centenary VII,
2002
Under the Mimosa
Under the Mimosa,
2001

 
The Pine Grove
The Pine Grove,
2000

 
Logging Road Near Woodridge
Logging Road
Near Woodridge, 1999
The Old Dogwood Tree
The Old Dogwood Tree,
1999
McDaniel's Low Grounds III
McDaniel's Low Grounds III,
1998
Mt. Pleasant
The Herb Bed II,
1997
Black-Eyed Susans
Black-Eyed Susans
and Day Lilies, 1996
The Ivy Bed
The Ivy Bed,
1996
Pond
Pond at the
Crews' Farm, 1992
Road
Logging Road Near
Gray's Store, 1991
Mt. Pleasant
Persimmon Trees
at Mt. Pleasant, 1991


I call my painting style "Chromatism" in order to distinguish it from Impressionism, Post-Impressionism, and Divisionism. I owe a great debt to those nineteenth-century schools, but I have departed from them in significant ways.

"Chromatism" is derived from the Greek word for "color", khroma. Chromatism recognizes that a visual image in the human eye is composed solely of interacting points or areas of color. Like Divisionism, it attempts to create a more powerful image through the careful application of scientific principle. Chromatism, however, takes advantage of the century of neurophysiological discovery which has passed since Seurat.

A visual image is composed of innumerable tiny points of red, blue, and green in varying intensities. The brain takes two of these images, one from each eye, and combines the colors in patterns of secondaries (cyan, magenta, and yellow/brown) and further composites. The tension of two slightly different patterns, interacting and changing constantly, gives us that vivid sense of visual reality which cannot be found in any photographic image.

I cannot reproduce the size, intensity, overlap, or movement of the visual patterns, so I must resort to a collection of careful tricks to imitate the experience of vision. The science of the eye is not enough of a guide: above all, I remain committed to synthesis, compromise, revision, and approximation.

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Chromatist Paintings

Last Updated October 31st, 2004
Web Page by Ned May (nedmay@chromatism.net)
URL http://chromatism.net/chromat.htm
All images and text are ©2004 by Edward S. May unless otherwise noted. All rights reserved.